Please note that the service will be recorded and broadcast by the Austrian broadcasting corporation ORF Radio. By attending the service, you agree to the use by the ORF.
If you do not agree, please contact firstname.lastname@example.org for a refund of your ticket.
Missa Sancti Nicolai, G-Dur, Hob. XXII:6
As we know through Haydn’s correspondence, a festive mass was celebrated every year on the name day of Haydn’s patron, Prince Nicolaus II. of Esterházy. Thus, Haydn’s G-major mass Hob. XXII:6, which was first performed on December 6, 1766, received the byname “Nicolaimesse”. Due to the festive occasion, the mass was written for a large orchestration: violins, viola, cello, bass, organ, oboes and horns; later, parts for trumpets and kettledrum were added. Most likely, Haydn wrote this composition under considerable time pressure, since some musical sections recur within other parts of the mass. The choir parts are simple, yet make use of the whole spectrum of each voice. The Kyrie is dominated by airy melodies and sonata-like characteristics, while the Gloria finishes with a short fugue. Solo parts for soprano and tenor were only included in the Gloria and Credo respectively. In the Benedictus the soprano dominates at first, before eventually the other parts join in.
Translation: Nora Tunkel
Conductor: Johannes Ebenbauer,
Organist: Elke Eckerstorfer
Choir: Vienna Boys Choir, Vienna State Opera men's choir, Choralschola of the Imperial Court Chapel
Orchestra: Members of the Vienna Philharmonic Orchestra
Ticket reservation at email@example.com
Online ticket sale through Culturall: